When was it last you saw a gangster movie in Tamil? Pattiyal, you say? That was about contract killers. I’m asking you about a gansta’ movie. When was it last that you saw a movie which reached out from the screen and hit you hard in the face?Want to savour both those experiences in a bit over three hours? Go watch Selvaraghavan’s Pudhupettai (whichever way you want to spell it: Pudupettai, Puthupettai, புதுப்பேட்டை)
The movie is about an adolescent who is driven to the world of crime because of circumstances, and his rise and rise in the underworld. It shows us that promising Dhanush who went AWOL since Kaadhal Konden. Kudos to him for choosing to get back to his brother for that badly-needed hit, and more kudos to Selvaraghavan for extracting the very best out of his brother.
With his physique, Dhanush might not convince us as the perfect gangster, but his acting — boy, he’s simply poured his heart into this movie. He has put in such a riveting performance that the jury for the State Awards can tell themselves they won’t see a better acting performance this year.
The movie depicts reality in all its gory glory. It’s long, mind you, well over 3 hours. And the story just keeps unfolding. Personally, beyond the 150-minute mark, I kept peering into my watch telling myself, “Oh, please, let this movie not end.” And that’s because each scene has been handled with utmost care. So much that one cannot say which is the best scene in the movie. Each scene clashes with every other scene in the fight to be called the best.
The background score is brilliant; top marks to Yuvan. Arvind Krishna’s camera work is magical. Every actor has chipped in with a good performance. In fact, the person sitting next to me quipped once, “How do they spot these actors? They are so natural, and so very good.” Sneha has put in a good performance. The same cannot be said about Sonia Agarwal though; but her screen presence is limited, and the characterisation is weak.
The only real spoiler, if you ask me, is the last ten minutes of the movie. There is a point in this film (just as Pasi Sathya departs) where the credits should have come up, and the audience would have left with a heavy heart, and in absolute praise. But the three ensuing scenes dilute that effect, and make you wonder, “Why did they do this? Why spoil the experience?”
However, if you choose to overlook the last ten minutes, I think this movie deserves a perfect ten! A movie like this, I have not seen before in Tamil. At least not since Dalapathi!
Pudhupettai is not a modern classic; it is a modern epic!
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